a listening-led artistic research practice that centers humans as the primary material.  

conscious intervention

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OurStories

A social experiment on the fear of others. A collection of conversations with strangers about their beliefs and the human experience. Dismantling the fear of others one conversation at a time.

Unsaid - New York City

A continuation of the Voicing Booth project in Sarajevo, redesigned for Washington Square Park. Shaped by the local context the art installation invited strangers to share what they never say aloud. More than one hundred voices revealed the private emotional undercurrents of New York City.

masa

masa brings together people who might otherwise never meet. Through dialogue across identities and co-designed experiences, it invites vulnerability, trust, and an opportunity to step outside of your social bubble with complete strangers.

Voicing Booth - Sarajevo

"What's something that you never say aloud?"
In a region shaped by war, migration, and inherited silence, the participatory installation invited people to courageously name what has long been unspoken within themselves, their families, or their communities.

Claverito

Empowering an Amphibious Community: Mitigating barriers through participatory design for increasing access to public services in the Peruvian Amazon rainforest

Permission To Be

1:1 masked conversations revealing the truths we rarely share. [underway]

Atmospheres

Collection of atmospheres captured across cultures: moments that reveal conditions and sensations in the built and natural world that can shape connection and emotional response.

about me

What is Conscious Intervention?

Conscious Intervention is a collective experiment in imagination, courage, and fidelity to what could exist but doesn’t, yet.

It begins from a simple truth: people are the experts of their own lives, and their lived experience is the foundation for understanding a place, its tensions, and its possibilities.

The artistic research practice deliberately breaks away from traditional research models that separate the “researcher” from the “researched”. Instead of treating people as subjects to be observed, the practice treats people as collaborators whose insights, emotions, and stories guide the direction of the work.

The practice is informed and builds knowledge through listening and one-on-one conversations that reveal the conditions that shape how participants live, connect, and navigate their realities. As these stories accumulate, they form an oral history of a community in a specific moment in time. A textured, nuanced understanding that no survey or external analysis could produce.

This collective knowledge becomes the starting point for imagining new ways of relating.

From here, the practice proposes interventions: temporary, evolving, context-shaped experiments designed to interrupt familiar systems and allow people to experience themselves and others differently.

Participants return to test prototypes, offer feedback, and influence each next iteration. The process remains fluid, iterative, and grounded in the realities of the people who make it possible.

This is not research done on people.
It is artistic research done with them.

A shared process. A living archive that produces knowledge and expands possibilities.

A practice of collectively reconsidering what it means to be human.
One conscious intervention at a time.

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